–
November 1, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 1, 2024
The Raglan Art Group (established 1983) - first Friday of every month.
Contact Sue Webber for more information 021489944.
For many years the Raglan Art Group met in the Te Uku Hall.
They now meet at the Raglan Old School Arts Centre on the first Friday of every month.
–
November 2, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 2, 2024
Revenge has never been sweeter.
James Croot STUFF/ WAIKATO TIMES 4.5/5 “One of 2024’s most crowd-pleasing and uplifting cinematic experiences”
When 93-year-old Thelma Post (Oscar nominee June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her. A story exploring aging, family, and autonomy (and uniquely inspired by action movies like “Mission: Impossible”) – the film is based on a real-life experience of writer/director Josh Margolin’s grandmother, and marks Squibb’s first leading film role of her 70+ year career. This action comedy also stars Parker Posey, Richard Roundtree, Clark Gregg, Malcolm McDowell, and Fred Hechinger.
PRODUCERS: Nicholas Weinstock, Chris Kaye, Karl Spoerri, Benjamin Simpson, Zoë Worth
DIRECTOR: Josh Margolin
WITH: June Squibb, Clark Gregg, Parker Posey, Richard Roundtree, Fred Hechinger
THELMA M Offensive language | USA
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Revenge has never been sweeter.
James Croot STUFF/ WAIKATO TIMES 4.5/5 “One of 2024’s most crowd-pleasing and uplifting cinematic experiences”
When 93-year-old Thelma Post (Oscar nominee June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her. A story exploring aging, family, and autonomy (and uniquely inspired by action movies like “Mission: Impossible”) – the film is based on a real-life experience of writer/director Josh Margolin’s grandmother, and marks Squibb’s first leading film role of her 70+ year career. This action comedy also stars Parker Posey, Richard Roundtree, Clark Gregg, Malcolm McDowell, and Fred Hechinger.
PRODUCERS: Nicholas Weinstock, Chris Kaye, Karl Spoerri, Benjamin Simpson, Zoë Worth
DIRECTOR: Josh Margolin
WITH: June Squibb, Clark Gregg, Parker Posey, Richard Roundtree, Fred Hechinger
THELMA M Offensive language | USA
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 2, 2024
There is a lot of story to tell, in the events that led to the fall of Ōrākau, and Ka Whawhai Tonu covers a lot of ground, but still finds time for some of the more bonkers true-to-life details that transpired.
Graeme Tuckett STUFF/ WAIKATO TIMES 4/5 “Ka Whawhai Tonu – Struggle Without End: A welcome depiction of some indelible New Zealand history”
Set in New Zealand (Aotearoa in Māori) in 1864, Ka Whawhai Tonu tells the story of a pivotal battle in the country’s first land wars, a battle fought with impossible odds between Māori and the colonial forces. This heroic conflict is told through the eyes of two young teenagers forced to take control of their own destiny amidst the chaos of the battle and their escape.
PRODUCERS: Piripi Curtis, Toby Parkinson
DIRECTOR: Mike Jonathan
WITH: Cliff Curtis, Temuera Morrison, Jason Flemyng, Paku Fernandez, Hinerangi Harawira-Nicholas
Ka Whawhai Tonu M Violence, offensive language & content that may disturb 115 mins | NZ Maori with English subtitles
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
There is a lot of story to tell, in the events that led to the fall of Ōrākau, and Ka Whawhai Tonu covers a lot of ground, but still finds time for some of the more bonkers true-to-life details that transpired.
Graeme Tuckett STUFF/ WAIKATO TIMES 4/5 “Ka Whawhai Tonu – Struggle Without End: A welcome depiction of some indelible New Zealand history”
Set in New Zealand (Aotearoa in Māori) in 1864, Ka Whawhai Tonu tells the story of a pivotal battle in the country’s first land wars, a battle fought with impossible odds between Māori and the colonial forces. This heroic conflict is told through the eyes of two young teenagers forced to take control of their own destiny amidst the chaos of the battle and their escape.
PRODUCERS: Piripi Curtis, Toby Parkinson
DIRECTOR: Mike Jonathan
WITH: Cliff Curtis, Temuera Morrison, Jason Flemyng, Paku Fernandez, Hinerangi Harawira-Nicholas
Ka Whawhai Tonu M Violence, offensive language & content that may disturb 115 mins | NZ Maori with English subtitles
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 3, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 3, 2024
Eighth Screening by request.
Seventh screening was full house once more.
The lives of two strangers are changed forever when they cross paths on the surfing adventure of a lifetime, discovering love, downshifting and four Chilean horses.
Winner Byron Bay International Film Festival: Best Documentary
Graeme Tuckett STUFF/ THE POST 4/5 “The Road to Patagonia is an astonishing film to look at. Matty has a great eye for a frame and he sets up his cameras to drink in some glorious slices of nature. And his own and Heather’s narration – some of it recorded on the road – is economical, quite unflinching and heartfelt.”
The Road to Patagonia is a stunning, intimate and unflinching series of love letters within a documentary – firstly a love between two people, and secondly between humanity and the Earth. We follow Matty Hannon on an incredible solo adventure, to surf the west coast of the Americas by motorbike, from the top of Alaska to the tip of Patagonia.
But deep in the wilderness - alone with the wolves and the bears – Matty’s plans unexpectedly fall to pieces. After losing everything, and on the cusp of quitting he meets the girl of his dreams, a permaculture farmer named Heather Hillier who throws caution to the wind and sells her urban-farm to buy a bike of her own. Together riding south, the duo meet with Zapatista rebels, Amazonian shamans and Mapuche leaders whose salient words crack the adventurers’ cultural veneer.
The theme of deep ecology underpins the entire film, visually communicated through exquisite cinematography and emotional verité sequences. Shot over 16 years, the result is an adventurous exposé on the more-than-human world, offering a physical and spiritual odyssey to better understand our place in Nature.
PRODUCERS: Matty Hannon,Tye Markey
DIRECTOR: Matty Hannon
WITH: Matty Hannon, Heather Hillier
THE ROAD TO PATAGONIA Exempt 90 mins | Australia | Language English, Latin American Spanish
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Seventh screening was full house once more.
The lives of two strangers are changed forever when they cross paths on the surfing adventure of a lifetime, discovering love, downshifting and four Chilean horses.
Winner Byron Bay International Film Festival: Best Documentary
Graeme Tuckett STUFF/ THE POST 4/5 “The Road to Patagonia is an astonishing film to look at. Matty has a great eye for a frame and he sets up his cameras to drink in some glorious slices of nature. And his own and Heather’s narration – some of it recorded on the road – is economical, quite unflinching and heartfelt.”
The Road to Patagonia is a stunning, intimate and unflinching series of love letters within a documentary – firstly a love between two people, and secondly between humanity and the Earth. We follow Matty Hannon on an incredible solo adventure, to surf the west coast of the Americas by motorbike, from the top of Alaska to the tip of Patagonia.
But deep in the wilderness - alone with the wolves and the bears – Matty’s plans unexpectedly fall to pieces. After losing everything, and on the cusp of quitting he meets the girl of his dreams, a permaculture farmer named Heather Hillier who throws caution to the wind and sells her urban-farm to buy a bike of her own. Together riding south, the duo meet with Zapatista rebels, Amazonian shamans and Mapuche leaders whose salient words crack the adventurers’ cultural veneer.
The theme of deep ecology underpins the entire film, visually communicated through exquisite cinematography and emotional verité sequences. Shot over 16 years, the result is an adventurous exposé on the more-than-human world, offering a physical and spiritual odyssey to better understand our place in Nature.
PRODUCERS: Matty Hannon,Tye Markey
DIRECTOR: Matty Hannon
WITH: Matty Hannon, Heather Hillier
THE ROAD TO PATAGONIA Exempt 90 mins | Australia | Language English, Latin American Spanish
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 4, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 4, 2024
6 week wheel workshop with Sarah Bing - book online
–
November 5, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 6, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 6, 2024
Every Wednesday.
–
November 6, 2024
An opportunity to connect (and be inspired by!) fellow Clay Shed members
–
November 7, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 8, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 9, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 10, 2024
Come and have a great day out in Raglan. Local kai and arts from Raglan Whaingaroa.
The regular second Sunday of each month edition of the very popular Raglan Creative Market with the best of Raglan-Whaingaroa food, crafts and art.
All roads lead to the Raglan market with local creative arts and local produce and goods. Wet or shine.
For more information check out the Raglan Creative Market website
If you'd like to have your own stall apply on the Stallholder Form
Email market@raglanartscentre.co.nz
Phone 07 825 0023
Postal address:
Raglan Creative Market
5 Stewart St
Raglan 3225
–
November 10, 2024
A stunning photography exhibition featuring the work of these two Waikato-based photographers. This exhibition will take you on a unique visual journey with stunning scenery, engaging birds and wildlife and creative photography.
Open daily 10-2 1 -10 November
–
November 11, 2024
6 week wheel workshop with Sarah Bing - book online
–
November 13, 2024
Every Wednesday.
–
November 13, 2024
An opportunity to connect (and be inspired by!) fellow Clay Shed members
–
November 13, 2024
Men's Circle, Wednesday 7-9pm fortnightly, restarts January 24.
Men's Group contact is John Vissers, 027 487 6127.
–
November 14, 2024
Karioi Quilts & Crafts - second Thursday of every month.
The Karioi Quilters have been making high quality, natural fibre, artistic quilts for many years. Primarily a patchwork and quilting group, the members meet to share knowledge and skills and enjoy creating in good company.
From 2023, we changed the name to Karioi Quilts and Crafts to open the group up to other crafters.
Members can work on their own projects ranging from quilts, sewing projects and you can even bring your knitting, as long as it’s not a messy craft anything goes. New members are always welcome to come along to work on their own projects and learn techniques from a group of very creative craftspeople.
Group co-ordinator is Sue Webber 021 489944
Meetings are held at the Raglan Old School Arts Centre from 10am to 1pm (sometimes 3pm if the room is available) on the second Thursday of every month. 10 sessions per year from February to December. Subscription is $30 per year which goes towards room hire.
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November 16, 2024
There is a lot of story to tell, in the events that led to the fall of Ōrākau, and Ka Whawhai Tonu covers a lot of ground, but still finds time for some of the more bonkers true-to-life details that transpired.
Graeme Tuckett STUFF/ WAIKATO TIMES 4/5 “Ka Whawhai Tonu – Struggle Without End: A welcome depiction of some indelible New Zealand history”
Set in New Zealand (Aotearoa in Māori) in 1864, Ka Whawhai Tonu tells the story of a pivotal battle in the country’s first land wars, a battle fought with impossible odds between Māori and the colonial forces. This heroic conflict is told through the eyes of two young teenagers forced to take control of their own destiny amidst the chaos of the battle and their escape.
PRODUCERS: Piripi Curtis, Toby Parkinson
DIRECTOR: Mike Jonathan
WITH: Cliff Curtis, Temuera Morrison, Jason Flemyng, Paku Fernandez, Hinerangi Harawira-Nicholas
Ka Whawhai Tonu M Violence, offensive language & content that may disturb 115 mins | NZ Maori with English subtitles
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
There is a lot of story to tell, in the events that led to the fall of Ōrākau, and Ka Whawhai Tonu covers a lot of ground, but still finds time for some of the more bonkers true-to-life details that transpired.
Graeme Tuckett STUFF/ WAIKATO TIMES 4/5 “Ka Whawhai Tonu – Struggle Without End: A welcome depiction of some indelible New Zealand history”
Set in New Zealand (Aotearoa in Māori) in 1864, Ka Whawhai Tonu tells the story of a pivotal battle in the country’s first land wars, a battle fought with impossible odds between Māori and the colonial forces. This heroic conflict is told through the eyes of two young teenagers forced to take control of their own destiny amidst the chaos of the battle and their escape.
PRODUCERS: Piripi Curtis, Toby Parkinson
DIRECTOR: Mike Jonathan
WITH: Cliff Curtis, Temuera Morrison, Jason Flemyng, Paku Fernandez, Hinerangi Harawira-Nicholas
Ka Whawhai Tonu M Violence, offensive language & content that may disturb 115 mins | NZ Maori with English subtitles
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 16, 2024
We break the pattern or the pattern breaks us.
James Croot STUFF/ WAIKATO TIMES 3.5/5 “It Ends with Us is, despite some obvious tonal issues and narrative flaws, easily one of the better, emotionally satisfying contemporary romantic-drama to come out of Hollywood in recent years.”
IT ENDS WITH US, the first Colleen Hoover novel adapted for the big screen, tells the compelling story of Lily Bloom (Blake Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents relationship. When Lilys first love, Atlas Corrigan (Brandon Sklenar), suddenly reenters her life, her relationship with Ryle is upended, and Lily realizes she must learn to rely on her own strength to make an impossible choice for her future. Directed by Justin Baldoni and produced by Alex Saks, Jamey Heath, and Christy Hall. The film stars Blake Lively, Justin Baldoni, Jenny Slate, Hasan Minhaj, Amy Morton and Brandon Sklenar, from a screenplay by Christy Hall, based on the book by Colleen Hoover.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
IT ENDS WITH US M Domestic violence & sexual violence references 130 mins | USA
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
We break the pattern or the pattern breaks us.
James Croot STUFF/ WAIKATO TIMES 3.5/5 “It Ends with Us is, despite some obvious tonal issues and narrative flaws, easily one of the better, emotionally satisfying contemporary romantic-drama to come out of Hollywood in recent years.”
IT ENDS WITH US, the first Colleen Hoover novel adapted for the big screen, tells the compelling story of Lily Bloom (Blake Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents relationship. When Lilys first love, Atlas Corrigan (Brandon Sklenar), suddenly reenters her life, her relationship with Ryle is upended, and Lily realizes she must learn to rely on her own strength to make an impossible choice for her future. Directed by Justin Baldoni and produced by Alex Saks, Jamey Heath, and Christy Hall. The film stars Blake Lively, Justin Baldoni, Jenny Slate, Hasan Minhaj, Amy Morton and Brandon Sklenar, from a screenplay by Christy Hall, based on the book by Colleen Hoover.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
IT ENDS WITH US M Domestic violence & sexual violence references 130 mins | USA
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 17, 2024
Revenge has never been sweeter.
James Croot STUFF/ WAIKATO TIMES 4.5/5 “One of 2024’s most crowd-pleasing and uplifting cinematic experiences”
When 93-year-old Thelma Post (Oscar nominee June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her. A story exploring aging, family, and autonomy (and uniquely inspired by action movies like “Mission: Impossible”) – the film is based on a real-life experience of writer/director Josh Margolin’s grandmother, and marks Squibb’s first leading film role of her 70+ year career. This action comedy also stars Parker Posey, Richard Roundtree, Clark Gregg, Malcolm McDowell, and Fred Hechinger.
PRODUCERS: Nicholas Weinstock, Chris Kaye, Karl Spoerri, Benjamin Simpson, Zoë Worth
DIRECTOR: Josh Margolin
WITH: June Squibb, Clark Gregg, Parker Posey, Richard Roundtree, Fred Hechinger
THELMA M Offensive language | USA
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
Revenge has never been sweeter.
James Croot STUFF/ WAIKATO TIMES 4.5/5 “One of 2024’s most crowd-pleasing and uplifting cinematic experiences”
When 93-year-old Thelma Post (Oscar nominee June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her. A story exploring aging, family, and autonomy (and uniquely inspired by action movies like “Mission: Impossible”) – the film is based on a real-life experience of writer/director Josh Margolin’s grandmother, and marks Squibb’s first leading film role of her 70+ year career. This action comedy also stars Parker Posey, Richard Roundtree, Clark Gregg, Malcolm McDowell, and Fred Hechinger.
PRODUCERS: Nicholas Weinstock, Chris Kaye, Karl Spoerri, Benjamin Simpson, Zoë Worth
DIRECTOR: Josh Margolin
WITH: June Squibb, Clark Gregg, Parker Posey, Richard Roundtree, Fred Hechinger
THELMA M Offensive language | USA
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 18, 2024
6 week wheel workshop with Sarah Bing - book online
–
November 20, 2024
Every Wednesday.
–
November 20, 2024
An opportunity to connect (and be inspired by!) fellow Clay Shed members
–
November 25, 2024
6 week wheel workshop with Sarah Bing - book online
–
November 27, 2024
Every Wednesday.
–
November 27, 2024
An opportunity to connect (and be inspired by!) fellow Clay Shed members
–
November 27, 2024
Men's Circle, Wednesday 7-9pm fortnightly, restarts January 24.
Men's Group contact is John Vissers, 027 487 6127.
–
November 29, 2024
In Eva's Room at Old School Arts Centre, 5 Stewart St, Raglan. Last Friday of the month. Bring a board if you have one.
Social event hosted by Dermot Murtagh. P 027 44 55 232. E dermotmpm@xtra.co.nz
–
November 30, 2024
Welcome to our annual fundraising exhibition-sale, featuring beautiful gifts and ornaments, all made by local artists and artisans.
open 10 - 4 daily
–
November 30, 2024
We break the pattern or the pattern breaks us.
James Croot STUFF/ WAIKATO TIMES 3.5/5 “It Ends with Us is, despite some obvious tonal issues and narrative flaws, easily one of the better, emotionally satisfying contemporary romantic-drama to come out of Hollywood in recent years.”
IT ENDS WITH US, the first Colleen Hoover novel adapted for the big screen, tells the compelling story of Lily Bloom (Blake Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents relationship. When Lilys first love, Atlas Corrigan (Brandon Sklenar), suddenly reenters her life, her relationship with Ryle is upended, and Lily realizes she must learn to rely on her own strength to make an impossible choice for her future. Directed by Justin Baldoni and produced by Alex Saks, Jamey Heath, and Christy Hall. The film stars Blake Lively, Justin Baldoni, Jenny Slate, Hasan Minhaj, Amy Morton and Brandon Sklenar, from a screenplay by Christy Hall, based on the book by Colleen Hoover.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
IT ENDS WITH US M Domestic violence & sexual violence references 130 mins | USA
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
We break the pattern or the pattern breaks us.
James Croot STUFF/ WAIKATO TIMES 3.5/5 “It Ends with Us is, despite some obvious tonal issues and narrative flaws, easily one of the better, emotionally satisfying contemporary romantic-drama to come out of Hollywood in recent years.”
IT ENDS WITH US, the first Colleen Hoover novel adapted for the big screen, tells the compelling story of Lily Bloom (Blake Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents relationship. When Lilys first love, Atlas Corrigan (Brandon Sklenar), suddenly reenters her life, her relationship with Ryle is upended, and Lily realizes she must learn to rely on her own strength to make an impossible choice for her future. Directed by Justin Baldoni and produced by Alex Saks, Jamey Heath, and Christy Hall. The film stars Blake Lively, Justin Baldoni, Jenny Slate, Hasan Minhaj, Amy Morton and Brandon Sklenar, from a screenplay by Christy Hall, based on the book by Colleen Hoover.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
IT ENDS WITH US M Domestic violence & sexual violence references 130 mins | USA
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IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".
–
November 30, 2024
A ravishing account of the birth of Australian surf culture, and the accompanying indie film movement.
Sydney Film Festival Review “ The film begins with a brief present-day sequence, of someone viewing and splicing a reel of film, before we are plunged into archival footage, taken from the films of the 1960s-1980s. This footage is beautiful — 16mm shots of surfers in remote beaches, of the sun rising and setting, and imagery of the water on its own. It’s good that the visuals are gorgeous, because this, largely, is all we see for 81 minutes. If you have no interest in videos of surfers, this is not the movie for you. As we watch these images, we hear the voices of various people who were a part of surf culture, of the films we are watching. They are kept offscreen until the end, which is an effective ploy."
YOU SHOULD HAVE BEEN HERE YESTERDAY combines hundreds of hours of lovingly restored 16mm surfing footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild Aussie community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question - what do we keep and what do we leave behind?
Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom's Mountain.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
Documentary 78 mins Australia
Our theatre is inviting; cool in summer, cosy in winter. 2K Digital Projection with Dolby 5.1 Audio.
Door sales if available from 30 minutes before the start of each session. If you want to check if seats are available phone 825 0023, from 30 minutes before the start of each session.
Due to our small capacity we recommend that reserves are made using the web reservation system as shown below.
There are no allocated seats. Arrive early to get the seat that's right for you from our eclectic collection of couches, reception and other chairs.
There is a café with juice, Bundaberg drinks, popcorn plus yummy food on sale. Most sessions are licensed with wine, cider and beer available.
Pay at the door by cash or EFTPOS.
The office is open Mondays to Fridays from 10am to 2pm for pre-purchase of tickets or to pay for reserves.
We accept online reserve requests up to about 1 pm on the day of screening provided the session isn't already full.
Online reserves are available for payment from 30 minutes before the start of a session to 15 minutes before the start.
From 15 minutes before the start they will be resold if the session is full.
A ravishing account of the birth of Australian surf culture, and the accompanying indie film movement.
Sydney Film Festival Review “ The film begins with a brief present-day sequence, of someone viewing and splicing a reel of film, before we are plunged into archival footage, taken from the films of the 1960s-1980s. This footage is beautiful — 16mm shots of surfers in remote beaches, of the sun rising and setting, and imagery of the water on its own. It’s good that the visuals are gorgeous, because this, largely, is all we see for 81 minutes. If you have no interest in videos of surfers, this is not the movie for you. As we watch these images, we hear the voices of various people who were a part of surf culture, of the films we are watching. They are kept offscreen until the end, which is an effective ploy."
YOU SHOULD HAVE BEEN HERE YESTERDAY combines hundreds of hours of lovingly restored 16mm surfing footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild Aussie community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question - what do we keep and what do we leave behind?
Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom's Mountain.
PRODUCERS: Alex Saks, Christy Hall, Jamey Heath
DIRECTOR: Justin Baldoni
WITH: Jenny Slate, Blake Lively, Justin Baldoni, Brandon Sklenar, Hasan Minhaj, Amy Morton
Documentary 78 mins Australia
--------------------------------------------------------------------------------------
IF SEATS ARE AVAILABLE THEY WILL SHOW BELOW.
Online sales and reserves close at about 1pm on the day of screening.
IF ONLINE BOOKING HAS CLOSED BUT DOOR SALES ARE AVAILABLE, YOU WILL SEE THIS BELOW
"Online ticket sales for this event are closed."
IF NO SEATS ARE AVAILABLE IT WILL SAY "Sold Out".